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- Slate digital vmr neve eq saturation emulate neve console? software#
- Slate digital vmr neve eq saturation emulate neve console? plus#
The precision of drawing in automation with the mouse wins every time over the limited amounts of real‑time control that you get from eight cheap faders and a few knobs.
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On the ergonomic front, for instance, I've never enjoyed using small assignable fader surfaces. The latter has been expanded here to show the grouping controls.Īs a home‑studio owner who works digitally and 'in the box', I've always been a little bit sceptical about products that are supposed to make mixing on a computer more like mixing in the analogue domain. The Virtual Console Collection comprises two plug‑ins: Virtual Channel (left) and Virtual Mix Buss (right).
Slate digital vmr neve eq saturation emulate neve console? software#
The VTM in conjunction with the Slate Digital VCC is the best value for the money I've ever spent.Can the failings of mixing in software really be solved by buying more software? That's the claim Slate Digital are making for their Virtual Console Collection. The noise isn't really an issue if you know what you're doing and the audio enhancement the VTM gives is something you - or at least I - can't simply gain with simple processing. Thus, I've found the best way to use the plugin is to use it the same way tape was used back in the old days: use it on auxes and last in your signal chain. There are other controls for making the sound even "more analog," and really the only complaint I have with the product is you can't fully remove the hiss the plugin generates you can only take it down by 40 dB, which means the noise will stack with multiple instances of the plugin and when compressing or limiting tracks. There are multiple combinations of choices and each provides you with a beautiful but individual sound. That is what I love about the Slate Digital VTM: I can achieve that lovely saturation without ever taking my project out of the box. Most likely anyone can tell tape machines have their own wacky kind of EQ and hiss but that's not close to all there is to it in short, the way tape saturates the audio is what gives it its character. Don't get me wrong - I still am! - but at some point in time I began to wonder if there was something missing in my recordings wholly produced in the digital realm. When I first started working with audio, I was a complete digital audio lover. But if you can run it, it's worth every penny. It's not CPU light, though you'll want to run instances across all of your DAW channels, and that means an up-to-date computer spec. The warmth feels far more "real" than plug-ins were managing even a few years ago it's not an in-your-face effect, more of a gentle glue and firming up of the soundstage. I have this running alongside the Slate Virtual Console Collection, to give the combined effect of multitrack tape running through an old valve-style console into a master 2-track. Saturation and harmonic content can be dialled in across the whole mix extremely easily, and the instances of the plug-in can be grouped and linked so that everything can be controlled with one set of knobs.
Slate digital vmr neve eq saturation emulate neve console? plus#
The effect of instantiating VTM across a batch of mixer channels, plus the main buss, is subtle but thoroughly discernible: the mix coheres immediately, and depending on your setting of the virtual tape speed you can take advantage of "head bump" at 15ips to get a nice bass boost. Highly recommended if you're in the market for a natural tape emulation plugin.
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This is also when you really hear all the differences between the tape types, biases, drive amounts, and speeds. It likes to 'chew' on dynamic and well produced audio. I usually find that it's at its best when used on a bus, especially for drums. The saturation and natural compression on this plugin is exquisite. It is however an 'end-game' plugin, meaning that it can do wonders for your well-recorded and mixed material, but it won't magically turn all of your recordings into gold. It will prove invaluable when sculpting your sounds and finding places for your sounds in the soundscape. Like the VCC, VTM is a specific and simple sonic tool. basically everything you would find on a real tape machine, except with all the flexibility of a digital audio plugin. The concept is very simple you get a few different tape types, speed, biases. Slate VTM is an alaogue tape emulation plugin.